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Architecture
North Indian Style
Evolves The North Indian or Indo-Aryan
Style (A.D. 800 onwards)
by Ashish Nangia
Temple
building in India, by the Mediaeval Age, had gradually crystallized into two
main streams – the north Indian or Indo-Aryan, and the Dravidian in south
India. The north Indian style was
manifested over a large geographical area, from Gujarat in the west to Orissa in
the East. These disparate
developments often were the basis of regional schools of art and architecture,
and were the intermediate steps in the continuing process of the evolution of
the Hindu Temple. We shall discuss
some representative examples.
Osian
– Descendant of the Guptas
The picturesque village of Osian,
near modern Jodhpur in Rajasthan, was the capital of the Pratiharas in the
eighth century. The only remnants
now of its former glory are a handful of small stone temples.
The shikhara, which was the
main feature of the Gupta temple at Deogarh, was now the logical culmination of
a plan that included all the basic features of the later temples at Khajuraho
and Bhubhaneswar. Two are raised on
high plinth, like the temples at Khajuraho, but their shikharas are like
the early Orissan examples. The
builders at Osian added a mandapa or open assembly hall for devotees to
congregate. Another feature was a
rectangular wall around the temple, at each corner of which was a subsidiary
shrine.
Teli-ka-Mandir
at Gwalior
This temple in the fort at Gwalior
is unique. The name, of course,
literally means Oil-man’s temple. In
its conception it resembles more a shrine than a temple, as it consists of a
sanctuary only – there is neither mandapa nor pillared pavilions that make up
the composition of a full temple. But it is distinguished by the fact that it
was the last attempt to cap a Hindu temple by a barrel-vaulted roof of Buddhist
origin. This gives the temple a
silhouette which is quite original, to say the least.
Though this form was subsequently discarded by the north Indian
architect, echoes of this, as we shall see later, were the basis for the formal
composition of South Indian temple gateways.
More
orthodox than this are the other temples in Gwalior Fort, namely the Sas-Bahu
group.

This consists of two
temples, one much smaller than the other, but with the same architectural style. The larger temple is but a portion of the original conception, as only
the main hall remains, the shikhara that was about 150 feet in height,
having disappeared.
Examples at Bhubhaneswar
The state of Kalinga (modern Orissa)
was becoming, in mediaeval times, one of the richest havens of temple building
activity. History tells us that
Kalinga was ruled by a succession of kings who sought temporal freedom by
building whole cities of temples. These
cities are marked by their lack of secular buildings, and as was common
throughout India, are more known for their temple architecture than any city or
town planning. Over a period of
seven hundred years, the city of Bhubhaneswar itself had more than seven
thousand temples.
The
seventh-century Vaital Deul at Bhubhaneswar is in fact a later
version of the Teli-ka-Mandir described above, as it too is roofed by a
barrel vault. However, the Orissan
craftsmen went further – as they capped the vault by three kalasa
finials.
The incongruity of the barrel vault
as a finial for the temple, however, soon asserted itself, and the Orissan
craftsmen reverted to the familiar shikhara, albeit with a change in
profile. Ignoring the elliptic
curve of the Gupta temples, the Orissan shikhara was endowed with a more
‘shoulder like’ profile, or spire. Simple
shrines consisting of a small ‘Sri Mandir’, or ‘deul’ as the main cella
is called, crowned by the shikhara, are grouped all over Orissa.
The
need was soon felt for attaching a mandapa or covered hall to single room
shrines where worshippers could congregate. In the 8th century temple of Parasurameshwar,
the earliest known example of such a modification was found.
Rarely did the Orissan architect get a chance to visualize his temple as a single entity. This is the reason why Orissan temples seem incomplete, not realizing
their full potential. For such crystallization, we must look to the temple of Khajuraho, in our next article.
March 15, 2001
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