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Architecture
The
Mughal Empire:
Splendor and Decadence
in Delhi
by Ashish Nangia
Akbar’s long reign was a period of
expansion and consolidation. He was not only tireless in the battlefield, but
proved to be a man of exceptionally fine taste in art and architecture. To him
also goes the credit of refining Sher Shah’s administrative systems and putting
in place a regular source of revenue for the empire which stretched over all of
North India and was beginning to threaten the Deccan.
The Mughals in fact throughout the length of their dynasty were known for their
good taste, right from Babur to the last ill-fated emperor, Bahadur Shah Zafar.
Jahangir, son of Akbar, was no less refined, and was a gifted individual. His
potential, however, was greatly diminished, especially in his later years, by an
addiction to drink and drugs, and he gradually came to lose all interest in the
intricacies of governance, preferring to leave all in the hands of his queen,
Noor Jahan.
Jahangir’s sporadic bursts of coherence and creativity – very much like his
grandfather, Humayun – were nevertheless enough to hold the empire together and
for art and architecture to continue to flourish.
His liking for Kashmir led him
to construct the Shalimar Gardens by the side of Lake Dal in Srinagar.
The
exquisite dargah of Sheikh Salim Chisti at Fatehpur Sikri is also attributed to
him, as are certain additions and alterations in the royal forts of Lahore,
Allahabad and Agra.
However, we have to wait till the reign of Shah Jahan for the full genius of
Mughal architecture to come forth. Building profusely, Shah Jahan not only
changed existing forts and palaces greatly but also built an entire new city and
a fort – Shahjahanabad
with its great Jama Masjid in Delhi and the Red Fort. But
all these were to be overshadowed by the pièce de résistance – the Taj Mahal at
Agra, arguably the most perfect mortuary building in all Islam. However, in
continuation with our series, it would be appropriate to examine the Red Fort at
Delhi in more detail.
The Red Fort in plan consists of outer walls in a near-perfect rectangle except
where they border the course of the Yamuna to the north.
The walls themselves are clad with
finely dressed red and pink sandstone, the joints of which are surprisingly
fine. The massive round bastions set off the main Delhi and Lahore gates,
massive defensive entry portals which tower over the walls. The entries from
these gates meet in a square public place which finally leads off to the hall of
public audience, or the Diwan-i-am.
The roof of this building, today looking strangely naked and exposed, is
supported on columns and arches which are more ornate than utilitarian, the
simple pointed arch giving way to a multi-cusped version. Various bays of these
arches make up the hall, the whole being clad in white marble with inlays of
semi-precious stones. Inside the hall, the emperor’s dais is raised on a high
platform.

The other buildings in the complex are the tiny Moti Masjid – a mosque entirely
in marble. This, though started by Shah Jahan, was completed by his son
Aurangzeb, and is different in style, with the extra decoration that was the
first sign of impending decadence and decay. the Shish Mahal or the Hall of
Mirrors, the treasury and magazine or Daulat Khana, the emperor’s private
chambers and harems for the queens.
Running through and around most of these structures is a system of open water
channels which, combined with carved marble screens fronting the river, kept the
interiors amazingly cool. A visitor today to the Red Fort can still not help be
surprised by the coolness of the interiors even in the hottest summer.
The Red Fort was a defensive structure, a last resort for an attack that seemed
improbable and even impossible during the heyday of the Mughal empire. Who could
tell that in less than a hundred years an irreversible decline would begin?
Those days, however, were still far away, and outside the walls of the fort, a
city flourished, full in its importance as the capital of one of the richest
empires of the world.

The old city of Chandni Chowk from an English
drawing.
This was the old city of Delhi, the grandeur of which is not now apparent in its
narrow streets and crumbling buildings. But in its time it was home to merchants
and poets, courtesans and artists, soldiers and workmen, all busily turning the
cogs of the Mughal empire.
May 25, 2003
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