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Cinema
Bobby
A Tribute to Showman Raj Kapoor
by Ragini Puri
I
believe that in Bollywood, till date, there have been very few movies
that have been so utterly fresh, romantic and innocent, all at the same
time. And in list of those movies, Bobby stands first among them
equals...exuding a rare freshness that is alive to date. Stories go that
immediately after its release, Bobby became a fashion dictat, with
dresses, scarves and short skirts carrying 'Bobby' tag to sell more.
It was in my early teens that I first got to see this movie...(what
timing!) Before that much about Bobby had passed by my ears, and so my
general opinion about the movie was a bit mixed...is it bold...are there
a lot many kisses or is there a lot of skin show...I used to wonder. But
frankly, when I actually got to see the movie, by God! what a revelation
it was..! Beautiful actors, beautiful clothes, simple story, beautiful
music, scenic landscape...Everything seemed so perfect, that I wondered
if I had missed something. Was there some scene that had been censored?
A thorough and demanding discussion session with friends followed. And
to my amusement, the discussion gave back very naive reasons for the
film's portrayal as a bold one. The story was that days following the
release of the film, Bobby's, i.e. Dimple Kapadia's wardrobe had created
a bit of a furor, and hence the hullabaloo about the film being a bit
bold. O my God! That's was it...What a let down!
Now
coming back to the romance part. Wow! How fresh, beautiful and innocent.
And how dignified. Industrialist's son Raju formally proposing
friendship to Bobby, a fishermonger's daughter and a girl of very humble
background. "Mujhse dosti karogi?" And Bobby, with a thousand
expressions on her face, smiling back...Can anything get more beautiful
than this...I don't think so!
Bobby's storyline was simple - as simple as a typical Bollywood formula
film can get - Young teenagers Raj, 18 and just back from boarding
school, and Bobby, sweet 16 and the daughter of a middleclass fisherman,
fall in love. Raj's father Nath (Pran) vehemently opposes the
relationship and even unsuccessfully tries to buy off Bobby's father
Jack Briganza (Premnath). But as the world knows, love has no
boundaries...Hell breaks loose as the lovers run away from the warring
fathers.... a little bit of action, some rona-dhona and emotional
blackmail...and the fathers reconcile their differences, giving the film
a perfect they-lived-happily-ever after ending.
And now, not to forget the music part of the film.... the music and the
lyrics...gems aplenty. Right from Main shayar to nahin to
Narendra Chanchal's Beshak mandir masjid todo, each piece is in
sync with the story. Even the item number Uska choota ghar baar
sansaar, which had Aroona Irani playing a temptress, justifies
itself, what with her light hearted attempts at seducing a visibly naive
Rishi Kapoor! Music duo Lakshmikant Pyarelal's range for this ambitious
movie was just impeccable...While you have the sweet couple playfully
teasing each other in Mujhe kuch kehna hai, Hum tum ek kamre main
and jhooth bole kauwa kaate, Premnath playfully gyrates to the
tunes of Na mangu sona chaandi...Even the sad numbers Ankhiyon
ko rehne do and Beshak mandir Masjid todo fit the mood
perfectly.
Perfection in every department. …simple and sweet storyline, great
direction, melodious music... no doubt that this bounce back vehicle
from the studios of showman Raj Kapoor set the film industry rocking!
June 17,
2007
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