Cinema
Where Have the Good Old
Filmi Mothers Gone? by
Subhash K. Jha
The portrayal
of mothers in Hindi cinema has undergone a huge transition - from the
sacrificing ones of the 1960s and 70s to the working and even single
moms of today. But the roles of mothers has somewhat got diluted over
the years - a few exceptions apart, of course.
Last week's terribly unfunny comedy "Mr White & Mr Black" tried to get
funny about the mother's role.
The film had Ashish Vidyarthi as a weepy, broken-hearted don grieving
for his mother whom he killed by accident. He then sits around weeping
buckets while watching sentimental films about the mother-figure. This
includes "Deewar" where Shashi Kapoor shuts Amitabh Bachchan up with
Salim-Javed's classic line "Mere paas Maa hai", and that little boy in
"Raja Aur Runk" who sings "O maa tu kitni achi hai...".
The song, sung by Lata Mangashkar in her 40s for a 10-year-old boy,
remains a tribute to so many luminaries who played mom in Hindi cinema.
Nirupa Roy by far remains Bollywod's mummy no. 1, thanks to her
all-giving, all-sacrificing maternal image in almost all her films.
But moms needn't be angelic. In B.R. Ishaara's "Kagaz Ki Nao" 30 years
ago Helen's daughter Sareeka fainted with fright when she saw her
widowed mother with a man.
"Why do we presume our mothers to be deities?" Helen had pleaded in this
poignant look at the way moms used to be.
When did the portrait of the mother as the last word in resilience and
sacrifice change? When Shabana Azmi throttled her lover's son in
Ishaara's "Log Kya Kahenge"? Or when Aroona Irani plotted against her
doting step-son in Indra Kumar's "Beta"?
Hindi cinema's best-known and best-loved moments of magic on the screen
are mother-oriented - from Mehboob Khan's "Mother India" and Suchitra
Sen in "Mamta" to Sharmila Tagore in "Aradhana" and Yash Chopra's "Deewaar".
Pravin Bhatt's "Bhavna" saw a powerhouse performance by Shabana Azmi as
a mother who becomes a hooker to make her son a doctor.
Apart from Nirupa Roy, Sulochana, Leela Chitnis, Kamini Kaushal and
Achala Sachdev also played great mothers. Remember the 40-plus Rajendra
Kumar in O.P. Ralhan's "Talaash" sobbing in his mother Sulochana's lap
as Sachin Dev Burman sang "Meri duniya hai maa tere aanchal mein".
With a new breed of below-30 heroes came the younger hipper moms like
Reema Lagoo, Anjana Mumtaz and Beena.
But somehow one hardly gets to see the large-hearted, all-giving mother
any longer.
The last of the truly great all-giving screen moms was Raakhee Gulzar
who could bring in a great deal of empathy to roles that would otherwise
have ended up as clichés.
When did the screen moms begin to get mildewed? Was it when the Nirupa
Roys and Sulochanas were replaced by the Waheeda Rehmans and Raakhees to
make the mother more glamorous?
Moms in our films are a threatened species and more often than not
they're victims of clichéd portrayals.
(Subhash K. Jha is a well known writer on films. He can be contacted at
subhashster@gmail.com)
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