Oct 31, 2025
Oct 31, 2025
Yudhishthira: The Indra on Battlefield
Many would not agree Yudhishthira was a great warrior, so how can he be  		Indra? But is that so? 
Yudhsihthira’s warrior-dharma is different from others. Like Lao Tsu he  		believes-
‘There is a saying among soldiers:
I dare not make the first move but
would rather play the guest;
I dare not advance and inch but would
rather withdraw a foot. (1.69)’
Dhritarashtra fears Yudhishthira’s wrath and tells Vidura, ‘King  		Yudhishthira who is like a flame of fire, has been deceived by me. He  		will surely exterminate in battle all my wicked sons. Everything,  		therefore, seems to me to be fraught with danger, and my mind is full of  		anxiety (Udyoga.36)’
That Yudhishthira could be fierce in battle like embodiment of death, we  		may take some illustrations from Bhisma Parva –
‘Beholding his standard overthrown, king Srutayush then, O monarch,  		pierced the son of Pandu with seven sharp shafts. Thereupon Yudhishthira,  		the son of Dharma, blazed up with wrath- tatah . krodhaat . prajajvaala,  		like the fire that blazeth forth at the end of the Yuga for consuming  		creatures- yathaa  yuga . ante . bhuutaani . dhakSyann . iva . huta . azanah.  		Beholding the son of Pandu excited with rage, the gods, the Gandharvas,  		and the Rakshasas, trembled, O king, and the universe became agitated.  		And even this was the thought that arose in the minds of all creatures,  		viz., that that king, excited with rage, would that day consume the  		three worlds- triiml . lokaan . adya . samkruddho . nRpo . ayam . dhakSyati . iti . vai.  		Indeed, when the son of Pandu was thus excited with wrath, the Rishis  		and the celestials prayed for the peace of the world. Filled with wrath  		and frequently licking the corners of his mouth- krodha . samaaviSTah . sRkkiNii . parilelihan, Yudhishthira assumed a terrible  		expression - dadhaara . aatma . vapur . ghoram.-looking like the sun that  		riseth at the end of the Yuga - yuga . anta . aaditya . samnibham. Then all  		thy warriors, O king, became hopeless of their lives, O Bharata.  		Checking, however, that wrath with patience, that great bowman endued  		with high renown then cut off Srutayush's bow at the grasp. And then, in  		the very sight of all the troops, the king in that battle pierced  		Srutayush whose bow had been cut off, with a long arrow in the centre of  		the chest. And the mighty Yudhishthira then, O king, speedily slew with  		his arrows the steeds of Srutayush and then, without losing a moment,  		his charioteer. Beholding the prowess of the king, Srutayush leaving  		that car whose steeds had been slain, quickly fled away from battle.  		After that great bowman had been vanquished in combat by the son of  		Dharma, all the troops of Duryodhana, O king, turned their faces.  		Having, O monarch, achieved this feat, Yudhishthira, the son of Dharma,  		began to slay thy troops like Death himself with wide-open mouth –
etat.kRtvaa.mahaa.raaja.dharma.putro.yudhiSThirah./
vyaatta.aanano.yathaa.kaalas.tava.sainyam.jaghaana.ha.//  		
(Bhisma.85/CE-6.80.7-19).
Like any other warrior, Yudhishthira feared to die. Once, when Bhishma,  		cut off Yudhishthira’s bow and the variegated standard, he was  		overwhelmed with fear - bhaya  . abhibhuutam (Bhisma.86/CE-6.81.29).
For the practicality of war, Yudhishthira could order joint attack  		against one – ‘Then Yudhishthira, O king, urged his friends and the  		rulers (on his side), saying,--'Slay Bhishma the son of Santanu, uniting  		together.' Then all those rulers, ‘hearing these words of Pritha's son,  		surrounded the grandsire with a large number of cars (Bhisma.87)’,  		foreshadowing Abhimayu’s fall by same means and Yudhishthira’s  		consequent sense of guilt. 
Yudhishthira was no weak warrior. He could penetrate Bhisma’s defence –  		‘And Yudhishthira pierced the grandsire in return with twelve shafts.  		(Bhima.107)
Drona refers to Yudhishthira’s wrath as – ‘The wrath of Yudhishthira, an  		encounter between Bhishma and Arjuna in battle, and an endeavor like  		this (of the shooting of weapons) by myself,--these (three) are  		certainly fraught with great harm to creatures. (KMG-Bhisma Parva.113)
Yudhishthira Dharma is the Dharma of peace and non-violence, but once  		war is inevitable, he accepts it, though trying till the exhaustion of  		the last possibility to avoid it, and once he is in war, he can fight.  		Thus the man who was hesitant to fight Bhisma, can shout – ‘And  		Yudhishthira said, 'Advance! Fight! Vanquish Bhishma in battle.  		(Bhisma.116)
Bhisma advised Duryodhana to make peace following his fall, and he  		refers to Yudhishthira’s wrath – ‘As long as Yudhishthira with eyes  		burning in wrath doth not consume thy troops in battle, let peace, O  		sire, be made!’ (Bhisma.123)
The climactic moment of Yudhishthira-Shalya battle shows Yudhishthira’s  		skill in warfare (9.16.42-51) and also his identification with Gods, and  		through such identification, his integration with his brothers - ‘(Yudhsihthira)  		the just, took up a dart whose handle was adorned with gold and gems and  		whose effulgence was as bright as that of gold. Rolling his eyes that  		were wide open, he cast his glances on the ruler of the Madras, his  		heart filled with rage -krodhena . diipta . jvalana . prakaazam. The  		illustrious chief of the Kurus then hurled with great force at the king  		of the Madras that blazing dart of beautiful and fierce handle and  		effulgent with gems and corals-maNi . hema . daNDaam ; jagraaha . zaktim . kanaka . prakaazaam.  		All the Kauravas beheld that blazing dart emitting sparks of fire -zaktim . rucira . ugra . daNDaam  		-as it coursed through the welkin after having been hurled with great  		force, even like a large meteor falling from the skies at the end of the  		Yuga- yathaa . yuga . ante . mahatiim . iva . ulkaam.  King Yudhishthira the just,  		in that battle, carefully hurled that dart which resembled kala-ratri 		(the Death Night) - kaala . raatriim . iva . paaza . hastaam -armed with the  		fatal noose or the foster-mother of fearful aspect of Yama himself -  		yamasya . dhatriim . iva . ca . ugra . ruupaam, and which like the Brahmana's  		curse, was incapable of being baffled.’
Yudhishthira’s ‘dart’ becomes symbolic because it is also ‘daNda’ –  		signifying both the King’s Sceptre and punishment and Yama’s daNda; and  		Yudhishthira is also explicitly compared to ‘kala-ratri’ signifying Time  		as well as Goddess of Death (that again connects him with Draupadi and  		Kunti), and Yama, confirming Yudhishthira’s incarnation of Yama-Dharma.
The Dart is said to have been created by Tvashtri reminding us of  		Indra’s vajra. 
‘That weapon seemed to blaze like Samvartaka - fire - samvartaka . agni . pratimaam . jvalantiim -and was as fierce as a rite  		performed according to the Atharvan of Agnirasa.’ Now, ‘samvartakam’ is  		the name of the fire which devastates during the annihilation of the  		universe.
‘Having carefully inspired it with many fierce mantras, and endued it  		with terrible velocity by the exercise of great might and great care,  		king Yudhishthira hurled it along the best of tracks for the destruction  		of the ruler of the Madras. Saying in a loud voice the words, "Thou art  		slain, O wretch- hato . asy . asaav . ity . abhigarjamaano" the king hurled it,  		even as Rudra had, in days of yore, shot his shaft for the destruction  		of the asura Andhaka - rudro . antakaaya . anta . karam . yathaa . iiSum,  		stretching forth his strong (right) arm graced with a beautiful hand,  		and apparently dancing in wrath - krodhena . nRtyann . iva . dhaarma . raajah.’
Leaving aside the sentimental shock that Yudhishthira roars at his ‘maamaa’  		(maternal uncle), we have the important information that roaring was not  		Bhima’s copyright (err…Soundright!). We have the more important link of  		Yudhishthira and Rudra, explicitly, and also through ‘Samvartaka-fire’,  		and the most important link of Yudhsihthira with Rudra, Indra, Vayu,  		Bhima and Arjuna thorugh the dancing aspect - krodhena . nRtyann.
In Vana Parva Yudhishthira prays to Sun thus – ‘When the time of  		universal dissolution cometh, the fire Samvartaka born of thy wrath  		consumeth the three worlds and existeth alone (Vana.3).’
Markandeya Muni exlains to Yudhishthira about universal dissolution at  		the end of four Yugas –
‘And then, O Bharata, the fire called Samvartaka impelled by the winds  		appeareth on the earth that hath already been dried to cinders by the  		seven Suns. And then that fire, penetrating through the Earth and making  		its appearance, in the nether regions also, begetteth great terror in  		the hearts of the gods, the Danavas and the Yakshas. And, O lord of the  		earth, consuming the nether regions as also everything upon this Earth  		that fire destroyeth all things in a moment. And that fire called  		Samvartaka aided by that inauspicious wind, consumeth this world  		extending for hundreds and thousands of yojanas (Vana.187)
‘Samvartaka fire’ connects Yudhishtira not only with Sun, but also with  		Time and Purusha. The connection is again with Mahadeva, Time and Clouds  		that foredoom universal dissolution (Shaanti.285).
In Anushashana Parva, the link is again very explicit –
‘The fire born of his energy resembled in effulgence the lightening that  		flashes amid clouds. Verily, it seemed as if a thousand suns rose there,  		filling every side with a dazzling splendor - sahasram . iva . suuryaaNaam . sarvam . aavRtya . tiSThati.  		The energy of the Supreme Lord looked like the Samvartaka fire which  		destroys all creatures at the end of the Yuga……. That Rudra, who sprang  		from thee destroyed the Creation with all its mobile and immobile  		beings, assuming the form of Kala of great energy, of the cloud  		Samvartaka (charged with water which myriads of oceans are not capacious  		enough to bear), and of the all consuming fire. Verily, when the period  		comes for the dissolution of the universe, that Rudra stands, ready to  		swallow up the universe. (Anushashana.14).’
The epithet ‘sahasram.iva.suuryaaNaam’ is a reminder of Krishna’s  		Visvaruupa in Gita thereby connecting Yudhishthira with Krishna’s  		Visvaruupa, a connection which eludes even Arjuna –
divi suuryasahasrasya bhavedyugapadutthitaa .
yadi bhaaH sadR^ishii saa syaadbhaasastasya mahaatmanaH .. 11.12.. 		
If the splendor of thousands of suns were to blaze forth all at once in  		the sky, even that would not resemble the splendor of that exalted  		being. (11.12)
Any modern reader would be reminded that Physicist Robert Oppenheimer,  		supervising Scientist Manhattan Project, quoted these lines in the  		Jornada del Muerto desert near the Trinity site in the White Sands  		Missile Range on 16 July 1945 at 0529 HRS, witnessing first atomic  		detonation by mankind.
‘Samvartaka’ is also the name of a cloud (Karna.34), suggesting  		Yudhishthira’s connection with Parjanya.
‘Samvartaka’ fire is not a frequently used word or comparison in  		Mahabharata. The word occurs only 25 times in the whole of Mahabharata (Bhandarkar’s  		Critical Edition), mostly relating to Mahadeva and Purusha. Only thrice  		it is mentioned as the name of Naga, and four times as a cloud  		foredooming universal dissolution.
It is interesting to note that the only character other than  		Yudhishthira compared with ‘Samvartaka’ is Asvatthama -
‘Whilst consuming that Rakshasa force, Drona's son in that battle shone  		resplendent like the Samvartaka fire, while burning all creatures at the  		end of the Yuga (Drona.155).’
That should be so, because Asvatthama ‘was born on earth, of the united  		portions of Mahadeva, Yama, Kama, and Krodha (Adi.67) – another link  		with Yudhishthira through Yama in particular!
When Asvatthama, ‘let off that weapon (Brahmashira) for stupefying all  		the worlds,’ a fire then was born in that blade of grass, ‘which seemed  		capable of consuming the three worlds like the all-destroying Yama at  		the end of the yuga -  		pradhakSyann . iva . lokaams . triin . kaala . antaka . yama . upamah (10.13.20).’
Asvatthama is compared to Yama, furthering his connection with  		Yudhishthira.
Then Arjuna, at Krishna’s behest, let off his Brahmashira to neutralize  		it, and it ‘blazed up with fierce flames like the all-destroying fire  		that appears at the end of the yuga. Similarly, the weapon that had been  		shot by Drona's son of fierce energy blazed up with terrible flames  		within a huge sphere of fire -  prajajvaala . mahaa . arciSmad . yuga . anta . anala . samnibham. Numerous peals of  		thunder were heard; thousands of meteors fell; and all living creatures  		became inspired with great dread. The entire welkin seemed to be filled  		with noise and assumed a terrible aspect with those flames of fire. The  		whole earth with her mountains and waters and trees trembled  		(CE.10.14.7-10).’ Arjuna’s ‘yuga . anta . anala . samnibham’ Brahmashira  		refers to Samvartaka fire. However, Arjuna’s use of the weapon is for a  		benign purpose, that of neutralizing Asvatthama’s weapon -  		astram . astreNa . zaamyataam (CE.10.14.6).
The Rudra and Time aspect of Yudhishthira, a much overlooked matter, is  		thus more prominent than any of his brothers and other characters save  		Asvatthama in its destructive aspect.
In Srimad Bhagavatam, when Arjuna and Asvatthaamaa hurled  		Brahmashashtras towards each other, ‘All the population of the three  		worlds was scorched by the combined heat of the weapons. Everyone was  		reminded of the samvartaka fire which takes place at the time of  		annihilation (SB 1.7.31).’
The description of the Pandava palace in Indraprashtha in Adi Parva- ‘In  		a delightful and auspicious part of the city rose the palace of the  		Pandavas …and it looked like a mass of clouds charged with lightning -  		megha . vindam . iva . aakaaze . vRddham . vidyut . samaavRtam  		(Adi.209/CE.1.199.35)’ – is provocative to make one think, how Vyasa  		hints the annihilation of the Kurus for the cause of Indraprashtha by  		the use of epithets – ‘like a mass of clouds charged with lightning’ –  		which reminds not only of Indra by Vajra connection, but also connection  		with ‘Samvartaka fire’.
‘Shalya, however, roared aloud and endeavored to catch that excellent  		dart of irresistible energy hurled by Yudhishthira with all his might,  		even as a fire leaps forth for catching a jet of clarified butter poured  		over it. Piercing through his very vitals and his fair and broad chest,  		that dart entered the Earth as easily as it would enter any water  		without the slightest resistance and bearing away (with it) the  		world-wide fame of the king (of the Madras). Covered with the blood that  		issued from his nostrils and eyes and ears and mouth, and that which  		flowed from his wound, he then looked like the Krauncha mountain of  		gigantic size when it was pierced by Skanda.’
Yudhishtira is again identified with Skanda.
‘His armour having been cut off by that descendant of Kuru's race, the  		illustrious Shalya, strong as Indra's elephant, stretching his arms,  		fell down on the Earth, like a mountain summit riven by thunder - vajra . aahatam . zRngam . iva . acalasya.’
Yudhishthira’s Indra-aspect is again emphasized.
To conclude this section, Yudhishthira’s Kshatra-Warrior Dharma brings  		out in particular his Rudra and Agni dimension.
As we have seen just now, Hiltebeitel’s contention that ‘Arjuna is  		inescapably the foremost representative of Siva’ (Siva, the Goddess, and  		the Disguises of the Pa??avas and Draupadi Author(s): Alf Hiltebeitel  		Source: History of Religions, Vol. 20, No. 1/2, Twentieth Anniversary  		Issue (Aug. - Nov., 1980), pp. 147-174 Published by: The University of  		Chicago Press) is not tenable.
Yudhishthira’s Rudra-Siva aspect is also understandable with respect to  		‘vaac’-Draupadi. 		In Rig Veda 10.125.1, Goddess Vaak says, ‘I travel with the Rudras’, and  		so does Draupadi; and in 10.125.6, She declares, ‘I bend the bow for  		Rudra that his arrow may strike and slay the hater of devotion. I rouse  		and order battle for the people.’ 
Draupadi indeed bends the bows of her husbands – the Rudras, and in  		powerful speeches ‘rouse’ them to action.
It is my contention that much of Mahabharata dealing with Rudraic aspect  		of Yudhishthira has been edited out by post-Ashokan redactors in their  		spree of Dharma-Ashokaization of Yudhishthira!
In his Agni aspect, Yudhishthira is the Brahmana of the Pandava-Purusha,  		representing the power of ‘tapaH’ and asceticism. The consummation of  		Khandavaranya by Agni with the two Krishnas help, is actually  		Yudhsihthira’s consummation of Khandavaranya in his rule; so, he is  		Agni. In his Rudra aspect, Yudhishthira transcends this Agni aspect, and  		becomes the Pandava-Purusha himself, not only because Rudra-Siva is a  		greater ascetic than Agni (Agni is one aspect of Rudra), but also  		because Rudra-Siva is the ultimate Purusha in whom multiple Purushas  		dissolve, just like it happens during Svargarohana, where Yudhishthira  		‘eats’ his brothers and Draupadi and thus absorbs them in himself.  		Draupadi and the Pandavas merge in him because they too are Agni and  		Rudra.
A point may be raised here. Why does not Yudhsihthira show much prowess  		in Kuru war? Why is his only feat the killing of Shalya?
The answer is however not to be searched far. What would we expect of a  		king? To get involved in the thick of war and get killed or to fight on  		fronts where his security is more ensured? Had Yudhsihthira died in the  		battle, the matter of succession would have been settled at that moment.  		It is to be kept in mind that in their next generation, Duryodhana’s son  		Lakshmana was the eldest.
Hiltebeitel’s contention that the disguises which the Pandava poets  		adopt in Virata Parva show the epic poets as true symbol-masters,  		‘concealing and revealing the "deepest" identities of their heroes and  		much of the purpose-primarily theological-of the roles they play in the  		epic narrative as a whole’ (Siva, the Goddess, and the Disguises of the  		Pa??avas and Draupadi)’, does not hold ground, because such symbols  		‘revealing the "deepest" identities of their heroes’ are to be found  		scattered throughout the Mahabharata, as in case of Yudhishthira.
Yudhishthira and Krishna: The Indra-Vishnu Pair of Rig Veda
In the Rig Veda, Indra and Vishnu are sometimes lauded together.
For example, in RV-4.55.4 the Rishi says, ‘Lauded in manly mode may  		Indra-Visnu grant us their powerful defense and shelter.’ ‘Defense and  		shelter’ is a poor translation of the word ‘sharma’ which connotes-  		"shelter, protection, refuge, safety; a house; Joy, bliss, comfort,  		delight, happiness; name of formulas; identified with zarva and with vAc;  		happy..."(Monier Williams). In the context of earth, what is implied is  		prosperity – both material and spiritual.
In RV-6.20.2 the Rishi credits Indra and Vishnu together for killing  		Vrtra – ‘Even as the power of Dyaus, to thee, O Indra, all Asura sway  		was by the Gods entrusted, When thou, Impetuous! leagued with Visnu,  		slewest Vrtra the Dragon who enclosed the waters.’
Now, Vrtra does not merely mean an evil Asura; Vrtra is the symbol of  		stasis, in other words any hindrance to the prosperity of a Rashtra.  		Indra and Vishnu are the dynamic force who can destroy that stasis and  		enable the flow of Sarasvati i.e. wisdom. Interestingly, in Rig Veda,  		Sarasvati is also credited for destroying Vrtra.
In RV-6.69.5, the Rishi lauds the Dharma-Karma aspect of Indra and  		Vishnu – ‘This your deed, Indra-Visnu, must be lauded: widely ye strode  		in the wild joy of Soma-sómasya máde urú cakramaathe - Ye made the  		firmament of larger compass, and made the regions broad for our  		existence- ákRNutam antárikSaM váriiyó .aprathataM jiiváse no rájaaMsi.’
What is suggested here is Indra-Vishnu’s role in ‘Loka-hita’.
Indra in Rig Veda is the symbol of Ideal Ruler.
When Narada described the celestial Sabhas of the Gods, Yudhishthira  		asked him, ‘thou hast mentioned one and only one king, viz., the royal  		Rishi Harishchandra as living in the Sabha of the illustrious chief of  		the gods. What act was performed by that celebrated king, or what  		ascetic penances with steady vows, in consequence of which he hath been  		equal to Indra himself? (KMG-Sabha.12).’
Narada enumerated Harishchandra’s qualities – the qualities that are  		necessary to be Indra on earth, so that one attains Indra’s glory in  		Svarga, ‘(Harishchandra) was a powerful king, in fact, an emperor over  		all the kings of the earth. Indeed, all the kings of the earth obeyed  		his sway. O monarch, mounted alone upon a victorious car adorned with  		gold, that king by the prowess of his weapons brought the whole earth  		with her seven islands under his sway. And, O monarch, having subjugated  		the whole earth with her mountains, forests, and woods, he made  		preparations for the great sacrifice called the Rajasuya. And all the  		kings of the earth brought at his command wealth unto that sacrifice.  		All of them consented to become distributors of food and gifts unto the  		Brahmanas that were fed on the occasion. At that sacrifice king  		Harishchandra gave away unto all who asked, wealth that was five times  		what each had solicited. At the conclusion of the sacrifice, the king  		gratified the Brahmanas that came from various countries with large  		presents of various kinds of wealth. The Brahmanas gratified with  		various kinds of food and enjoyable articles, given away unto them to  		the extent of their desires, and with the heaps of jewels distributed  		amongst them, began to say,--King Harischandra is superior to all kings  		in energy and renown.--And know, O monarch, O bull of the Bharata race,  		it was for this reason that Harischandra shone more brightly than  		thousands of other kings. The powerful Harischandra having concluded his  		great sacrifice, became installed, O king, in the sovereignty of the  		earth and looked resplendent on his throne. O bull of the Bharata race,  		all those monarchs that perform the sacrifice of Rajasuya, (attaining to  		the region of Indra) pass their time in felicity in Indra's company.’ 		
Yudhishthira accomplished all these – Digvijaya, Raajasuuya, and  		benevolence, and became Samraat. Needless to say, establishing a  		Dharmarajya he indeed was Indra. 
If we think war is central to the epic, as many scholars do think, then  		Krishna-Arjuna is the Vishnu-Indra pair of Rig Veda, Arjuna,  		undoubtedly, being the Indra or even greater than Indra in battlefield.  		But, Vyasa surely did not write a mere war epic, his Itihasa-Mahakavya  		Mahabharata is the Fifth Veda – a new interpretation of Veda in  		narrative form.
Yudhishthira suits as Indra not only being a former Indra’s incarnate,  		not only being defeated like Indra again and again and depending on  		others for deliverance, particularly on Vishnu-Krishna, but most  		importantly because he is the Samraat – the Nave of a New Rashtra Wheel  		of a New Age as envisaged by Vyasa-Narada-Krishna.
And indeed, as we have already seen, he does not lack that quality, for  		perceiving the lack of which one may hesitate to call him Indra, i.e.  		prowess in real war. And for him, the war had been on two fronts – the  		external war on Kurukshetra and the internal war on the spiritual front  		in his Self.
Interestingly, Yudhishthira once pointed out - "the two Krsnas yoked  		together to a single task are invincible in battle" (ekakaryasamudyuktau  		krsnau yuddhe parajitau, 2.18.24), implying Krishna and Arjuna are the  		two Krishnas – the black one and the white one, not Indra-Vishnu.
Thus, in the broader space of dharma and also karma (including war),  		Yudhsihthira and Krishna are the true Indra-Vishnu pair of Rig Veda.
Indrajit Bandyopadhyay is Lecturer in English at  		Kalyani Mahavidyalaya, Kalyani, WB.  
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